9/20/2023 0 Comments Janis joplin nude tribute homage![]() Registering the past, present, and future of the spaces within a single frame, Polidori’s images capture layers of history in extraordinary detail. The transformation of Dior’s mythic Parisian headquarters at 30 Avenue Montaigne as seen through the eyes of Robert Polidori.įollowing the reopening of 30 Avenue Montaigne in 2022, this exquisite volume offers a unique look into the metamorphosis of the House of Dior’s legendary Parisian headquarters via images captured by acclaimed photographer Robert Polidori.įor over two years, the iconic hôtel particulierunderwent a radical transformation, during which Polidori was granted exclusive access to the site for the entire duration of the restoration-documenting the original state, the demolition phase, and the reconstruction of Dior’s home. ![]() The closer you get, the farther the light recedes.” A masterpiece of “Bayou Gothic,” Ghostlight challenges our perceptions and invites us to experience the beauty of this elusive world. It can be as mean as a cottonmouth, as mischievous aes a child. Ghostlight, writes best-selling author Bret Anthony Johnston, “hovers, darts, disappears. Similarly, spectral images are evoked in the original short story that opens this book. The newest collection from award-winning photographer Keith Carter, Ghostlight captures the otherwordly spirits of swamps, marshes, bogs, baygalls, bayous, and fens in more than a hundred photographs.įrom Ossabaw Island, Georgia, to his home ground of East Texas, Carter seeks “the secretive and mysterious” of this often-overlooked landscape: wisps of fog drifting between tree branches faceless figures contemplating a bog owls staring directly at the camera lens infinite paths leading to unknown parts. Southern wetlands, with their moss-draped trees and dark water obscuring mysteries below, are eerily beautiful places, home to ghost stories and haunting, ethereal light. On Car Talk we used the cars as an excuse to talk to people and get to know them and their stories." Ray Magliozzi As I looked over the photos for a second time I noticed that for a book about stock car racing there are more pictures of the people than their cars and this is something else that Henry and I share. Paul and Dickie had friends in low places.” Henry Horenstein "As I started to look at the photos I recognized most of the cars and I began to marvel at the skills of some of these drivers and their teams for keeping these heaps going. Paul’s cousin Dickie Simmonds owned the local Gulf station and modified the junkers that Paul drove at places like the Seekonk Speedway (Seekonk, MA) and the Thompson Speedway (Thompson, CT). My brother-in-law Paul raced stock cars―old. What better than an old-school sport that would certainly be extinct one day? I’m still waiting. There had to be good pictures there for a wanna-be historian-with-a-camera. “I was still in grad school and I was looking for subjects. Horenstein's joyful images present us with a slice now of what the world of motor racing looked like then, before racing became big business, as it slowly morphed into Nascar - the worlds fastest growing sport. In front of his camera the drivers would fly around the track in beat-up cars customised for racing at break neck speeds in the hopes of small town glory. While at grad school in the early 1970’s Henry Horenstein would attend Speedway races, in New England to see his brother in law compete. ![]() Alter, entitled "Imagination and the Image," accompanies this remarkable anthology. A five-page essay by Alex Alberro and Nora M. Jerry Uelsmann's work is included in most major photography collections in the United States and Europe, and has been exhibited throughout the world. These images are tributes to artists whose work has made a deep and lasting impression on Uelsmann, and the range of works cited in this new book is vast as he pays homage to Man Ray, Max Ernst, Alberto Giacommetti, Ansel Adams, Marcel Duchamp, Alexander Calder et al. The photographs in Referencing Art, spanning the past five decades, reveal a relatively unknown facet of Jerry Uelsmann's working process: an on-going dialogue with the history of art. It is with deep gratitude that I pay homage, celebrate, and reference these sources." - Jerry Uelsmann The images in this book represent a small selection of artists, art, and art trends that have evoked a lasting sense of personal rapport. They became a source of inspiration that encouraged me to explore the boundaries of my own visual quest. There was a strong feeling of relevance that imbedded them in my consciousness. "During my life as an image-maker, I have encountered many works of art that have left a deep and lasting impression.
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